Amy Suto

My review of Good to Great by Jim Collins: where my freelancing flywheel came from, radical honesty as a business tool, and what to do with the corporate case studies.

My review of The Millionaire Next Door: the data-heavy classic on why income and wealth are different things, what freelancers should take from it, and the parts that aged.

My review of The Million-Dollar, One-Person Business by Elaine Pofeldt: the book that told me a company of one could get big, read weeks after my writers’ room closed.

My review of The Almanack of Naval Ravikant: permissionless leverage, happiness as a trainable skill, and the ideas that became the spine of my writing business.

My review of The Pathless Path by Paul Millerd: the best book I’ve read for anyone afraid to leave the default path, from a former digital nomad who made the leap in 2020.

My review of $100M Money Models: Alex Hormozi’s most technical book, explained simply. What it says about why I priced my own book at $0.99, and who should read the trilogy in order.

My review of $100M Leads by Alex Hormozi: the lead-generation manual I checked against 42,000+ subscribers’ worth of receipts, and how to read it without drowning.

Reading Alex Hormozi at midnight took my freelance rate from $350 to $750 an hour. My spoiler-free review of $100M Offers: the value equation, what it changed about my pricing, and the one translation writers have to do.

House of Leaves is the only book I've read that required rotating the physical object like a steering wheel. My honest review: what the famous labyrinth delivers, and whether the story repays the effort.

I finally read The Alchemist roughly three decades after everyone else, and I get the hype — mostly. My review: the fable that talks people into leaping, and the one thing I wish it did differently.

I wanted to love Little Weirds. My honest review of Jenny Slate's dreamlike essay collection: the ten pages that earn the whole book, and why the rest floated just out of reach.

My Creativity, Inc. review: Ed Catmull's Pixar playbook explains the machinery behind every great creative room I've worked in. The Braintrust chapter alone is worth the cover price.

Some books you recommend. Orbiting the Giant Hairball you press into people's hands. My review of Gordon MacKenzie's strange, hand-lettered guide to staying creative inside institutions.

My review of Create Dangerously: Camus's 1957 lecture on the artist's job in an ugly century, the backlash pep talk I keep rereading, and why I've borrowed his title twice on this blog.

I don't write poetry, and A Poetry Handbook is still one of the most useful craft books I own. My review: what Mary Oliver taught me about sound and rhythm, and why prose writers should steal this book.

A memoir ghostwriter reviews Old Friend from Far Away: why Natalie Goldberg's timed writing prompts pry memories loose better than anything else, and the one thing this book won't teach you.

I picked up Big Magic certain Elizabeth Gilbert had nothing new to tell me about creativity. I was wrong. My review: the suffering-artist takedown, the money chapter people think argues with my career, and 5 stars.

I read The War of Art at seventeen and I still hear it every time I don't feel like doing the work. My review: the Resistance concept, the turning-pro chapter that shaped my career, and the section you can skim.

After Dark follows Tokyo’s night people from last train to first light. My review of Haruki Murakami’s one-night novel — pretty prose, good dialog, zero interest in being a page-turner.

This Is How You Lose the Time War is the prettiest aperitif in sci-fi — love letters between rival time agents. My honest review: gorgeous prose, blurred voices, and a story that needed more runway.

Three couples, one luxury cabin, a storm, and secrets that run deep. My review of Lisa Unger’s Secluded Cabin Sleeps Six — a totally solid thriller that could have used one more twist.

I finished Rain of Shadows and Endings unsure how I felt — and got the sequel anyway. My honest review of Melissa K. Roehrich’s Legacy series opener, verdict pending.

The Wolf King wears its ACOTAR inspiration openly: captive princess, wolf court, slow thaw. My honest review — solid twists, sketch-level characters, and who should actually read it.

One for the Money is a voice-y, funny 1994 page-turner that still works. My review of Janet Evanovich’s first Stephanie Plum book — and a toast to mysteries that like their characters.