Back in the day, I wrote a guide for men on how to write female characters.
In a nutshell: like human beings. Complex, flawed, whole. Strong — but also weak. A spectrum, just like male characters have been written about for decades in film and television.
However, even though men should portray female characters as complex in their writing — should men elect to tell stories that are told from the female perspective, about the female experience? As storytellers, what should our responsibilities be when telling stories that are not our own experiences? [Read more…]
Yet not everything survived the transition into the real world, and I ended yet another relationship that crumbled in the face of my long hours and steadfast dedication to my career. It’s no secret that the path to becoming a TV writer is a long road that requires both the fortitude and portfolio to succeed in a sea of overqualified candidates, and while I’m in it for the long haul, sometimes the people I date see my love for my work as a limitation instead of a key part of who I am. 
