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TV writer who eats danger for breakfast

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3 Tips for Getting Organized and Motivated after a Setback (Writing in Hollywood)

September 10, 2017 by Amy Suto Leave a Comment

welcome to amy’s blog, a phrase which here means “pretty photos of organized desks”

I have a quote on my wall that reads “fall seven, rise eight.” It’s a Japanese proverb I love because it’s the best advice on how to survive in this industry. It doesn’t matter how many times you fail as long as you keep going.

We can’t control a lot of aspects of writing in television, but what we can control is our own mindset and how we approach our work. By investing in a sense of humor, a positive perspective, and some organizational habits, we can re-route ourselves and get back on track no matter the setback.

So, here are three ways I reset myself and my goals after a setback: 

1. Track Habits, Gratitude, and Goals in a Journal

I keep two journals, one in which I reflect about my day, and a second where I track habits, write down what I’m grateful for, and check in on my goals. Because life can get hectic, I need a space to record my progress and to plan what’s next. Here’s what I keep track of:  [Read more…]

Filed Under: All Posts, Most Popular Posts, Working in Hollywood, Writing, Writing for TV Tagged With: motivation, organizing

Writing the Half-Hour TV Drama

August 21, 2017 by Amy Suto 4 Comments

I hate the phrase “dramedy.”

Every half-hour TV show that isn’t quite a comedy has been given that title. NURSE JACKIE? WEEDS? TRANSPARENT? GIRLS? Dramedies, despite the fact that the spine of these shows are unequivocally dramatic. If you added a meaty B and C storyline to NURSE JACKIE, the show would become HOUSE, something that has never been called a dramedy despite its moments of humor and lightness. Classics like GUNSMOKE and THE TWILIGHT ZONE were half-hours, so by the definition of run-time shouldn’t it be classified as a comedy, or worse, a dramedy? (The correct answer, as I hope you know, is definitely not.)

We’re in an era where dramatic storytelling no longer needs to be relegated to an hour, and the streamlined, nimble storytelling of the half-hour format can be just as dramatic as its 60-minute companion.

So what makes a show a drama? 

  • Tone.
  • Subject matter.
  • Approach to subject matter.
  • Scene composition.

Let’s compare VEEP and HOUSE OF CARDS. Both are about Washington D.C. and politics, sure, but more specifically VEEP is about the powerlessness of the Vice Presidency and the incompetence of Selena and her staff, whereas HOUSE OF CARDS is about the power struggles in D.C. and the viciously cunning Frank Underwood and his power maneuvers.

The tone of these two shows are continents apart: HOUSE OF CARDS is brooding and stylishly dark, and VEEP is a cynical farce. Their approach to subjects like power (and lack thereof) are what sets them apart on genre lines.

In a typical VEEP scene, you can expect sharp witticism and barb-filled dialog, with an undercurrent of comedic suspense as we watch something fall apart thanks to the incompetencies of the characters.

In a typical HOUSE OF CARDS scene, we expect chilling hints at Frank Underwood’s latest scheme for power, and an undercurrent of suspense as we wait for dark dealings to bubble to the surface.

Structure of a Half-Hour Drama

The nimble, fluid structure of a half-hour drama gives writers a lot of room for flexibility. However, even as these half-hours seem to be able to buck the norms of structure, they still do follow patterns of structure similar to their hour companions.

  • Half-hours have one or two major plot movements. Whereas hours have several big movements that culminate in end-of-act cliffhangers four or five times an episodes, half-hours usually only have two major plot movements at most, one of which turns the story to the other.
  • Three acts and a teaser is the structure, but there’s room to mix it up. Hours usually fall along the lines of four or five acts plus a teaser. Half hours can fall along three acts and a teaser, but you’ll rarely see act breaks in the script. Struture is more fluid in half-hours.
  • Scenes often run shorter because they no longer have to service multiple plotlines, with scene lengths running on average 1.77 pages. There are also a scarcity of exterior shots, and exteriors are mostly only used for establishing. In terms of scene length, if a scene is longer than two pages, it’s usually a central plot point (usually a pivotal dinner or party scene.)
  • Rather than juggling A, B, C storylines with a D runner that hours have the time to tackle, most half hours focus on an A-Story (like NURSE JACKIE, ENLIGHTENED, I LOVE DICK), or have equally-weighted A and B and C storylines that track an ensemble cast that have a culminating plot movement that ties them together (TRANSPARENT, TOGETHERNESS). Overall, there’s more flexibility with the form, as long as the focus of each individual episode is made clear (in thematic or character terms.)
  • Dinner is the most dramatic meal. In almost every half hour I read, the major plot points revolved around a dinner (or two dinners, like GIRLS and CATASTROPHE). If you want to break the form, have a set piece revolve around brunch which never has any drama. 

The Stats

I broke down a handful of half-hour dramas to make the below infographic to give you an idea of what the average half-hour drama looks like:

Now go, reinvent short form television and make some great dramatic television!

Filed Under: All Posts, Most Popular Posts, Screenwriting, Writing, Writing for TV Tagged With: drama, half hour, television

Assistant Life: Surviving Vs. Thriving, Strategies to Keep Writing

December 19, 2016 by Amy Suto 3 Comments

Hey there readers, it’s Amy. Before you read this post, I just want to let you know that my outlook on the current state of the industry has changed, and I can’t in good conscience continue to advocate for the assistant path for writers. It’s part COVID, part an inherent sense of classism in the industry. For more, read my new blog post here about my advice for new grads and why I think writers shouldn’t go the assistant path anymore. I’m keeping these posts up just in case you disagree with me and still want to go this path, but I just wanted to be fully transparent and give you the best advice I know how. 

-Amy

…

I’ve been writing a lot recently about creatives in the industry and posting images of aesthetically pleasing and meticulously organized writing spaces (aka: my therapy) so this blog post is continuing the trend.

At holiday parties this past month, I’ve been meeting other writers who are holding down jobs in the industry, from showrunner’s assistants to writer’s PA’s to researchers. The first question I ask pretty much all of them is how do you do it? How do you be good enough at your day job and somehow retain the energy and time to write outside of our 11+ hour days? 

Some are honest: they aren’t able to make it work a lot of the time. Understandably, we’re all human and it’s tough.

[You guys should also check out: a day in the life of an agency assistant working in Hollywood]

However, we work in an industry that doesn’t care about our busy schedules — everyone is busy all of the time, and that’s not an excuse. If we don’t write, if we don’t commit that great idea to the page and then rewrite it until its brilliant, then others will just surpass us and we’ll never be able to escape the assistant life. As one writer who had been staffed on several shows told me, you have to grind and hustle to get your writing to where it needs to be: you can’t escape it, so might as well put in the mind-numbing hard work now.

With that in mind, here are some strategies I’ve put together that seem to work pretty well for myself and other writers out there. [Read more…]

Filed Under: Agency Life, All Posts, Most Popular Posts, Writing, Writing for TV Tagged With: assistant life, industry, productivity, writing

5 Tips for Using Flashforwards in TV Writing

September 22, 2015 by Amy Suto 1 Comment

Flashforwards are the flashbacks of our era of TV writing. From the flashforwards in Lost that showed our merry ensemble cast finally off the island at last (and wanting to go back) to shows like Damages and Bloodline that structure entire seasons on the content of their jumps in time, this tool has become ubiquitous in our modern age of storytelling as a linear narrative faces more challenges in capturing an audience.

However, it’s easy to misuse this device. Here are 5 things you need to consider before deciding to use flashforwards in your show:

1. Does a flashforward storyline make your story more interesting?

maxresdefault

Remember that ABC show, Flashforward? The show centered on the entire world blacking out and witnessing a few seconds of their future. The whole show was structured with the characters being aware of this narrative device, instead of it just being just for the sake of the audience. The show ultimately become too convoluted for its own good and it didn’t help that its characters were spouting most of the themes of the show, but the initial concept and first few episodes did a good job with the device.

That brings us to our first point: do flashforwards make the telling of your story MORE INTERESTING?

With Flashforward, the answer is yes — without the device, the story would be pretty dull (and would also make no sense.) But if you can get rid of the flashforward and the story still stands, then you should cut them.

2. Are your flashforwards shocking enough?

How-To-Get-Away-With-Murder-Fanfiction

I just started watching Shonda Rhimes’ How to Get Away With Murder (and by “just started” I mean I’m on episode 11) and while I love the character development (Viola Davis deserves all the awards, including the Emmy she just won), one of the aspects of this show that I find unnecessary are the flashforwards which almost seem to exist to make use of that expensive bonfire they shot.

The problem with the flashforwards in HTGAWM is that there’s no shock value. There is murder in the title of the show, so when we see these law students in the flashforward panicking after committing a murder, there’s no surprise there. We expect someone in this show to try and get away with murder, so the power of the flashforwards are lost on us, especially when we’re pretty sure they did this on accident. [Read more…]

Filed Under: All Posts, Writing for TV Tagged With: damages, flashforwards, how to get away with murder, shonda rhimes

Playing Pretend: On Set of CON and the Television Experience

May 12, 2015 by Amy Suto 1 Comment

wrapcastandcrewCON TV Miniseries: Check us out on Facebook!

back row, left to right: Ashley (actress), Allison Kelly (equipment manager), Jon Pham (cinematographer), Joey Livingston (actor: Jonah), Sandy Valles (actress: Faye), Amy Suto (me, the co-creator), Eric Casalini (actor: Jonathan), Irina (supervising producer). Front Row, left: Avi Kaye (director) and Noah Suarez-Sikes (producer)

ON SET OF CON

Every week we have a quote of the day on our call sheet. My favorite was written by Irina, our Russian supervising producer: “We wrap by 5pm or else I’m sending you all to Siberia.”

On set today, we’re shooting in the TV station on campus — Trojan Vision — and we’re pretending it’s a radio station. Our Assistant Director/Associate Producer Noah walks with me through the double doors and into master control, talking about the poster he made for set design with the name of the fictional radio show “THE MILES HOUR” and how he designed it like a Russian propaganda poster as a joke, and how he can’t wait for Irina to see it. I anticipate her sending him to Siberia. [Read more…]

Filed Under: Adventures, All Posts, Behind the Scenes of CON, Screenwriting, Who is Amy Suto?, Writing for TV Tagged With: producing, showrunner, showrunning, television, writing

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About Amy Suto

I’m Amy, I write thrillers for TV and ghostwrite memoirs for people all over the world. I also write personal essays, short stories, and things for the internet. Check out my portfolio page, sign-up for my writing tips newsletter below, and don’t hesitate to get in touch and share your favorite coffeeshop recommendations! Want to work together? Tell me about you and your project here.

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The Last Station Scripted Podcast: Listen Now!

Amy Suto

It’s here! Visit TheLastStationPodcast.com to listen to the scripted podcast I wrote and produced about the last radio host at the end of the world who gets her first caller and realizes she’s not alone. It’s a sci-fi mystery series and I can’t wait for you to experience it.

If you want to support the show, listen, subscribe, and review on Apple podcasts and consider supporting us on Patreon for cool perks!

Find Freedom in Freelancing

Hi friends! Not sure if you heard, but I wrote a book about how freelancing allowed me to travel the world and focus on my writing full-time in-between writers’ rooms. If you’d like to read about how I made my first $50,000 on the freelance platform Upwork while I was still an assistant and how I’ve grown my freelance business since then, check it out on Amazon!

Recent Posts

  • So You Wanna Be a Great Writer/Artist/Musician: How to “Honor the Work” as a Creative
  • How Much Does Hiring a Memoir Ghostwriter Cost?
  • Quarantine Nomads: How Freelancers Can Live and Work Remotely — and Safely During COVID-19
  • Nobody is Going to Make Your Thing: The Cavalry Isn’t Coming and Other Hollywood Pep Talks
  • Get Help Becoming a Freelance Writer + Writing Your Novel/Screenplay/Whatever: Consultations + Writing Coaching Sessions Open!



Ask Jeeves

Because I’m a Millennial

sutoscience

Amy Suto
Snippet from our shoot in the desert last year wit Snippet from our shoot in the desert last year with the badass @idaliavalles_ and @medwardsphx, can’t wait to eventually get back to filming projects again!

#Repost @idaliavalles_
・・・
A casual stroll in the desert 🏜 excerpt from @sutoscience projects 🎥 @medwardsphx
Happy NYE to all the people who saw my hair in var Happy NYE to all the people who saw my hair in various stages of disarray on Zoom this year!!! In 2020 I spent a lot of time running @kingdomofpavement, writing/producing @thelaststationpodcast, prepping @kingdomofink_writers for launch with the help of our incredible team, and I got to write some cool books with my amazing clients you’ll be able to read soon. Work aside, I also struggled a ton and worked a lot and dealt with all the existential dread we all went through. I would not be smiling and continuing to avoid my hairbrush without the love and support of the people around me, and I’m grateful to pieces. Here’s to another year of virtual meetings, moving our remote office to gorgeous new places, and pretending “windswept” is an accurate description of my bedhead.
In 2020, we were constantly faced with our own mor In 2020, we were constantly faced with our own mortality. If your life was taken away from you tomorrow, what would you do differently today? What would you change in yourself and the world around you? In reading this book about how different cultures around the world treat death so much differently than us, I also think our fear of death harms us. In thinking that we’re going to live forever, America pretends very real viruses don’t exist, and we don’t make the changes today that would lead to a better tomorrow. The fact that death is an inevitability is both freeing and a call to make the most of the time that we do have. Here’s to 2021 and the way in which we can make the most of it ✨
I'm doing a blog series heading into the new year I'm doing a blog series heading into the new year about building better habits and mental frameworks around our work as writers and creatives, and this first installment is about how to "honor the work" it takes to make great art. Check it out at AmySuto.com and I will one day also be updating my email newsletter before the end of this godforsaken year so if that's your jam feel free to sign-up!
Taking a yoga break in-between working on a key wr Taking a yoga break in-between working on a key writing project today— I’ve loved playing with standing balance flows lately because they help with focus. If you’re trying not to fall over it’s hard to have wandering thoughts 🙂 warrior 2 > triangle > half moon > crescent 🌙 lunge > warrior 3 > half chair > eagle > warrior 3 was one of my favorite challenge sequences I taught in my yoga classes pre-pandemic, and is a great way to quiet your mind even if you fall out of it like I did 🙃 one of my favorite yoga teachers used to tell me falling is just proof that we’re challenging ourselves. If we’re doing everything perfectly, we’re too far within our comfort zone.
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#yoga #writing #movement #yogapractice #yogaflow #yogadaily #writing #scriptchat #nature wearing @alo #aloyoga
I’ve spent most of 2020 in cozy spaces reading w I’ve spent most of 2020 in cozy spaces reading with my cat, and there’s something satisfying in the simplicity of sifting through all these good books. My current read is “Women Who Run With Wolves,” a book analyzing mythology and feminine nature that’s deeply fascinating and a life-changing read. We don’t think about the wisdom we need to protect our creative nature and inner worlds, and this book goes into how to find restoration and strength even in our chaotic environment. A full list of all my favorite books from this year coming to my blog soon!
This is been a year of climbing mountains. Whether This is been a year of climbing mountains. Whether we’re forming a fictional folk band and need to get our album cover or creating new systems and structures from scratch, I couldn’t be more grateful for the people beside me as we build a kingdom that can pave a new road into Hollywood and storytelling. Every day I get to wake up and work on projects I love, help fascinating folks tell their stories, and try to make my corner of this world a little brighter. In 2021 I’m planning to keep upholding the standards and values I want in our work, and to bring some really special art to life. Even as things are burning, we can find a way to use the flames to show us the way to what’s next.
Enjoying the last few days of working remotely in Enjoying the last few days of working remotely in Palm Springs. It’s been a lovely month soaking up the last of the summer (fall?) sun while writing by the pool and transitioning to fire pit days. Working in inspiring places has helped me focus on the top-secret writing work I’m doing for really inspiring people, and think deeply about the right way to tell a story from all angles. Soon, back to LA, home for the holidays, and onto the next adventure as we try to make the most of our quarantine world with really exceptional people.
Lots of late nights writing, working, and drinking Lots of late nights writing, working, and drinking whiskey lately 🥃 it’s been a busy year, but I’m lucky to be working on projects I love.
Spent all of the past month living and working rem Spent all of the past month living and working remotely in the Colorado Rockies, and here’s what I learned:

1) Fresh air and long hikes can fix a lot
2) What can’t be fixed by 1 can be remedied with good friends and long conversations 
3) What can’t be fixed by 1 and 2 can be solved by renouncing all material possessions and just moving to the woods permanently and taking up whittling 
4) While I’m not quite at 3 just yet, I’m working on trying to carve out a place in the world that feels full of life and heart and community. It’s going to take a long time to build everything we’re working on, with a lot of hard decisions along the road. But I’m excited to keep making progress and creating stories I care about with talented folks.

Stay safe and here’s to hoping we’ll get our blue skies back in LA sometime soon 💙
The trees are changing like we all are; the season The trees are changing like we all are; the seasons of life we go through can either cultivate personal growth or personal fear and I’m hoping to always have the courage to choose the former.
Spent the past four days off-the-grid, driving to Spent the past four days off-the-grid, driving to Colorado and spending a night in a yurt in the middle of the Utah desert 🌵 now we’re in the woods and back in semi-civilization to write, quarantine together, and work on all the things.
This is easily one of the most influential books I This is easily one of the most influential books I’ve read this year: even if you haven’t dealt with trauma personally (and there’s different levels of trauma), you interact with people in your world who have — even if you don’t know it. Understanding how trauma affects the core of us on a cellular level is critical to understanding how the mental affects the physical. This book is also an important glimpse into why people behave badly: usually, there’s unresolved trauma at the heart of someone acting out. If everyone was more trauma-informed, we’d be able to make strides to solving the public health crisis at the heart of these traumatic incidents, and be in a better place to help provide healing modalities like yoga, therapy, and EMDR.
Going to the woods for a bit to work remotely and Going to the woods for a bit to work remotely and write and maybe take up an obscure hobby like whittling. Maybe I’ll build a cabin with my bare hands and just work on the land. Maybe I’ll finally finish my Next Great American Novel. I don’t know. All I know is that pine trees are cool and we have to be well-rested for the revolution 🌹
In episode 103, Holden is trapped in an abandoned In episode 103, Holden is trapped in an abandoned mine with no way out — with a monster that steals time and distorts the airwaves. Catch up on @thelaststationpodcast now! // THELASTSTATIONPODCAST.COM // trailer edited by @lizzskywalker ✨
So I'm not ~saying~ you should go illegally downlo So I'm not ~saying~ you should go illegally download CONDOR season 2 just to watch episode 206 that I co-wrote.... but if you do, I hope you enjoy :) This season isn't available in the US yet, but can't wait to share it legally once it is!
My co-producer and I at this morning’s awesome r My co-producer and I at this morning’s awesome recording session for @thelaststationpodcast episode 104, what a joyful few hours! Lots of talented folks in this ep, lots of chicken puns written by yours truly, and you’re not going to see the twist coming :) get your ears ready for some more sci-fi post-apocalyptic storytelling and sweet tunes ✨
Hey guys, the newest episode of @thelaststationpod Hey guys, the newest episode of @thelaststationpodcast is out, written by the amazing @bentelejack, and I’m just so fucking proud of our team on this one. If you ever wanted to hear what the inside of a nightmare sounds like — be our guest! 🚨 @sid_phoenix who plays Holden delivers an incredible performance — this episode is a breathless, tense experience and a one-man show at times as Holden is pursued by a monster that steals time and we experience flashbacks through a tape recorder. The incomparable @portiajamas brings her energy and charisma as Marina, trying to help Holden escape from her side of the airwaves. @linabean113 and @the_other_keanu are our amazing guest stars and bring the intrigue ✨ @mr_dejas and @it_groovy absolutely crushed it when it came to the sound design, editing, and mix/mastering of the episode and have heard from several friends already that they felt like the SFX was in the same room. Stephen Ptacek and Anthony Al-Rifi kill it with the original compositions and atmospheric music. If you like what we’re doing and want to support us, leave a review and subscribe on Apple podcasts, share our show, and consider becoming a patron! All the links and more at: TheLastStationPodcast.com 🎙
the only secret of the universe that I discovered the only secret of the universe that I discovered at the top of that mountain is that the universe is only a secret if you believe it is hiding something from you. otherwise, it’s just a new frontier waiting to be explored
When I started writing @thelaststationpodcast thre When I started writing @thelaststationpodcast three months ago, I wasn’t just writing a post-apocalyptic sci-fi radio drama about an indie music radio host and a cowboy braving the end of the world. I was — and still am! — using this scripted podcast as a way to explore the themes we’re all experiencing in quarantine: loss, missed connections, grieving the way the world once was, facing evils that feel so much greater than ourselves — and trying to find great music to carry us through. Not only do I get to play in this sandbox of finding hope at the end of the world, but I get to do it with the best people. The caliber of incredible talent on this project from our actors to our writing team to our guest musicians to our stellar editors and composers — it’s unreal. And it’s the beginning of an incredible journey: we’ve got 8 more episodes for you, and I can’t wait for you to experience each one. We’ll get through this together, and I can’t wait to introduce you to your new favorite creatives every step of the way through this story.
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  • Nobody is Going to Make Your Thing: The Cavalry Isn’t Coming and Other Hollywood Pep Talks
  • Get Help Becoming a Freelance Writer + Writing Your Novel/Screenplay/Whatever: Consultations + Writing Coaching Sessions Open!

Because I’m a Millennial

sutoscience

Amy Suto
Snippet from our shoot in the desert last year wit Snippet from our shoot in the desert last year with the badass @idaliavalles_ and @medwardsphx, can’t wait to eventually get back to filming projects again!

#Repost @idaliavalles_
・・・
A casual stroll in the desert 🏜 excerpt from @sutoscience projects 🎥 @medwardsphx
Happy NYE to all the people who saw my hair in var Happy NYE to all the people who saw my hair in various stages of disarray on Zoom this year!!! In 2020 I spent a lot of time running @kingdomofpavement, writing/producing @thelaststationpodcast, prepping @kingdomofink_writers for launch with the help of our incredible team, and I got to write some cool books with my amazing clients you’ll be able to read soon. Work aside, I also struggled a ton and worked a lot and dealt with all the existential dread we all went through. I would not be smiling and continuing to avoid my hairbrush without the love and support of the people around me, and I’m grateful to pieces. Here’s to another year of virtual meetings, moving our remote office to gorgeous new places, and pretending “windswept” is an accurate description of my bedhead.
In 2020, we were constantly faced with our own mor In 2020, we were constantly faced with our own mortality. If your life was taken away from you tomorrow, what would you do differently today? What would you change in yourself and the world around you? In reading this book about how different cultures around the world treat death so much differently than us, I also think our fear of death harms us. In thinking that we’re going to live forever, America pretends very real viruses don’t exist, and we don’t make the changes today that would lead to a better tomorrow. The fact that death is an inevitability is both freeing and a call to make the most of the time that we do have. Here’s to 2021 and the way in which we can make the most of it ✨
I'm doing a blog series heading into the new year I'm doing a blog series heading into the new year about building better habits and mental frameworks around our work as writers and creatives, and this first installment is about how to "honor the work" it takes to make great art. Check it out at AmySuto.com and I will one day also be updating my email newsletter before the end of this godforsaken year so if that's your jam feel free to sign-up!
Taking a yoga break in-between working on a key wr Taking a yoga break in-between working on a key writing project today— I’ve loved playing with standing balance flows lately because they help with focus. If you’re trying not to fall over it’s hard to have wandering thoughts 🙂 warrior 2 > triangle > half moon > crescent 🌙 lunge > warrior 3 > half chair > eagle > warrior 3 was one of my favorite challenge sequences I taught in my yoga classes pre-pandemic, and is a great way to quiet your mind even if you fall out of it like I did 🙃 one of my favorite yoga teachers used to tell me falling is just proof that we’re challenging ourselves. If we’re doing everything perfectly, we’re too far within our comfort zone.
.
.
.
.
.
.
.
.
.
.
.
.
#yoga #writing #movement #yogapractice #yogaflow #yogadaily #writing #scriptchat #nature wearing @alo #aloyoga
I’ve spent most of 2020 in cozy spaces reading w I’ve spent most of 2020 in cozy spaces reading with my cat, and there’s something satisfying in the simplicity of sifting through all these good books. My current read is “Women Who Run With Wolves,” a book analyzing mythology and feminine nature that’s deeply fascinating and a life-changing read. We don’t think about the wisdom we need to protect our creative nature and inner worlds, and this book goes into how to find restoration and strength even in our chaotic environment. A full list of all my favorite books from this year coming to my blog soon!
This is been a year of climbing mountains. Whether This is been a year of climbing mountains. Whether we’re forming a fictional folk band and need to get our album cover or creating new systems and structures from scratch, I couldn’t be more grateful for the people beside me as we build a kingdom that can pave a new road into Hollywood and storytelling. Every day I get to wake up and work on projects I love, help fascinating folks tell their stories, and try to make my corner of this world a little brighter. In 2021 I’m planning to keep upholding the standards and values I want in our work, and to bring some really special art to life. Even as things are burning, we can find a way to use the flames to show us the way to what’s next.
Enjoying the last few days of working remotely in Enjoying the last few days of working remotely in Palm Springs. It’s been a lovely month soaking up the last of the summer (fall?) sun while writing by the pool and transitioning to fire pit days. Working in inspiring places has helped me focus on the top-secret writing work I’m doing for really inspiring people, and think deeply about the right way to tell a story from all angles. Soon, back to LA, home for the holidays, and onto the next adventure as we try to make the most of our quarantine world with really exceptional people.
Lots of late nights writing, working, and drinking Lots of late nights writing, working, and drinking whiskey lately 🥃 it’s been a busy year, but I’m lucky to be working on projects I love.
Spent all of the past month living and working rem Spent all of the past month living and working remotely in the Colorado Rockies, and here’s what I learned:

1) Fresh air and long hikes can fix a lot
2) What can’t be fixed by 1 can be remedied with good friends and long conversations 
3) What can’t be fixed by 1 and 2 can be solved by renouncing all material possessions and just moving to the woods permanently and taking up whittling 
4) While I’m not quite at 3 just yet, I’m working on trying to carve out a place in the world that feels full of life and heart and community. It’s going to take a long time to build everything we’re working on, with a lot of hard decisions along the road. But I’m excited to keep making progress and creating stories I care about with talented folks.

Stay safe and here’s to hoping we’ll get our blue skies back in LA sometime soon 💙
The trees are changing like we all are; the season The trees are changing like we all are; the seasons of life we go through can either cultivate personal growth or personal fear and I’m hoping to always have the courage to choose the former.
Spent the past four days off-the-grid, driving to Spent the past four days off-the-grid, driving to Colorado and spending a night in a yurt in the middle of the Utah desert 🌵 now we’re in the woods and back in semi-civilization to write, quarantine together, and work on all the things.
This is easily one of the most influential books I This is easily one of the most influential books I’ve read this year: even if you haven’t dealt with trauma personally (and there’s different levels of trauma), you interact with people in your world who have — even if you don’t know it. Understanding how trauma affects the core of us on a cellular level is critical to understanding how the mental affects the physical. This book is also an important glimpse into why people behave badly: usually, there’s unresolved trauma at the heart of someone acting out. If everyone was more trauma-informed, we’d be able to make strides to solving the public health crisis at the heart of these traumatic incidents, and be in a better place to help provide healing modalities like yoga, therapy, and EMDR.
Going to the woods for a bit to work remotely and Going to the woods for a bit to work remotely and write and maybe take up an obscure hobby like whittling. Maybe I’ll build a cabin with my bare hands and just work on the land. Maybe I’ll finally finish my Next Great American Novel. I don’t know. All I know is that pine trees are cool and we have to be well-rested for the revolution 🌹
In episode 103, Holden is trapped in an abandoned In episode 103, Holden is trapped in an abandoned mine with no way out — with a monster that steals time and distorts the airwaves. Catch up on @thelaststationpodcast now! // THELASTSTATIONPODCAST.COM // trailer edited by @lizzskywalker ✨
So I'm not ~saying~ you should go illegally downlo So I'm not ~saying~ you should go illegally download CONDOR season 2 just to watch episode 206 that I co-wrote.... but if you do, I hope you enjoy :) This season isn't available in the US yet, but can't wait to share it legally once it is!
My co-producer and I at this morning’s awesome r My co-producer and I at this morning’s awesome recording session for @thelaststationpodcast episode 104, what a joyful few hours! Lots of talented folks in this ep, lots of chicken puns written by yours truly, and you’re not going to see the twist coming :) get your ears ready for some more sci-fi post-apocalyptic storytelling and sweet tunes ✨
Hey guys, the newest episode of @thelaststationpod Hey guys, the newest episode of @thelaststationpodcast is out, written by the amazing @bentelejack, and I’m just so fucking proud of our team on this one. If you ever wanted to hear what the inside of a nightmare sounds like — be our guest! 🚨 @sid_phoenix who plays Holden delivers an incredible performance — this episode is a breathless, tense experience and a one-man show at times as Holden is pursued by a monster that steals time and we experience flashbacks through a tape recorder. The incomparable @portiajamas brings her energy and charisma as Marina, trying to help Holden escape from her side of the airwaves. @linabean113 and @the_other_keanu are our amazing guest stars and bring the intrigue ✨ @mr_dejas and @it_groovy absolutely crushed it when it came to the sound design, editing, and mix/mastering of the episode and have heard from several friends already that they felt like the SFX was in the same room. Stephen Ptacek and Anthony Al-Rifi kill it with the original compositions and atmospheric music. If you like what we’re doing and want to support us, leave a review and subscribe on Apple podcasts, share our show, and consider becoming a patron! All the links and more at: TheLastStationPodcast.com 🎙
the only secret of the universe that I discovered the only secret of the universe that I discovered at the top of that mountain is that the universe is only a secret if you believe it is hiding something from you. otherwise, it’s just a new frontier waiting to be explored
When I started writing @thelaststationpodcast thre When I started writing @thelaststationpodcast three months ago, I wasn’t just writing a post-apocalyptic sci-fi radio drama about an indie music radio host and a cowboy braving the end of the world. I was — and still am! — using this scripted podcast as a way to explore the themes we’re all experiencing in quarantine: loss, missed connections, grieving the way the world once was, facing evils that feel so much greater than ourselves — and trying to find great music to carry us through. Not only do I get to play in this sandbox of finding hope at the end of the world, but I get to do it with the best people. The caliber of incredible talent on this project from our actors to our writing team to our guest musicians to our stellar editors and composers — it’s unreal. And it’s the beginning of an incredible journey: we’ve got 8 more episodes for you, and I can’t wait for you to experience each one. We’ll get through this together, and I can’t wait to introduce you to your new favorite creatives every step of the way through this story.
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